EBU Technical Review : No. 274 (Winter 1997)

   
Editorial
  Safeguarding our future DAB multiplexes
P.A. Laven
   
Digital Audio
 

The Broadcast Wave Format — an introduction
R. Chalmers (137 KB)

 

This article provides a brief introduction to the new Broadcast Wave Format (BWF) file which has been developed by the EBU - in close collaboration with the audio industry - to facilitate the interchange of programme material between audio workstations.

 
  The use of BWF files in Swedish radio
L. Jonsson (212 KB)
 

In this article, the author gives some background information on why the development of a common audio file format was essential for a radio broadcasting organization such as Swedish Radio (SR).

BWF files will now be used in SR whenever audio workstations are interconnected via LANs and WANs.

   
Digital Audio Broadcasting
  DAB progress report — 1997
F. Müller-Römer (525 KB)
 

August 1997 saw the official launch of consumer DAB equipment at the IFA exhibition in Berlin.

The author reviews the worldwide progress of DAB, and offers his personal views on how it should be developed over the years to come. In particular, he suggests that an augmented version of DAB should be used to replace the current analogue TV transmissions in Band III with digital multimedia transmissions for Europe, which are equally received at home or on the move.

 
  Pseudo channel BER — an objective quantity for assessing DAB coverage
R. Schramm (316 KB)
 

The net Bit Error Rate (BER) in the decoded signal can be used to assess the coverage of a DAB service but it requires the transmission of a special test signal which uses up a complete sound channel in the DAB multiplex.

The author proposes the use of a so-called "pseudo channel BER" as an objective quantity for assessing the coverage of a DAB service. The method does not require the use of a specially transmitted test signal; it is applied to ordinary DAB programme material.

   
Acoustics
  Progress in concert hall design — developing an awareness of spatial sound and learning how to control it
R. Essert (785 KB)
 

The propagation of sound is a function of both time and space: our hearing and perception of sound are sensitive to spatial as well as temporal attributes.

This article traces the development of spacial acoustics in the design of halls during the late 20th century, in relation to the advancement of acoustical knowledge and related technologies.

An outline is given of current directions in modelling and measurement systems that may lead to a greater understanding of which spatial sound fields are preferred for different events, and how the geometrical form can influence them.

   
Digital Audio Quality Evaluation
  Subjective assessment of audio quality — the means and methods in the EBU
W. Hoeg, L. Christensen and R. Walker (311 KB)
 

This article presents a number of useful means and methods for the subjective quality assessment of audio programme material in radio and television, developed and verified by EBU Project Group, P/LIST.

The methods defined in several new EBU Recommendations and Technical Documents are suitable for both operational and training purposes in broadcasting organizations.