EBU Technical Review : No. 274 (Winter 1997)
| Editorial | |
| Safeguarding
our future DAB multiplexes |
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| Digital Audio | |
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The Broadcast Wave Format an introduction |
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This article provides a brief introduction to the new Broadcast Wave Format (BWF) file which has been developed by the EBU - in close collaboration with the audio industry - to facilitate the interchange of programme material between audio workstations. |
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| The use of BWF files in Swedish radio |
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In this article, the author gives some background information on why the development of a common audio file format was essential for a radio broadcasting organization such as Swedish Radio (SR). BWF files will now be used in SR whenever audio workstations are interconnected via LANs and WANs. |
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| Digital Audio Broadcasting | |
| DAB progress report 1997 |
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August 1997 saw the official launch of consumer DAB equipment at the IFA exhibition in Berlin. The author reviews the worldwide progress of DAB, and offers his personal views on how it should be developed over the years to come. In particular, he suggests that an augmented version of DAB should be used to replace the current analogue TV transmissions in Band III with digital multimedia transmissions for Europe, which are equally received at home or on the move. |
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| Pseudo channel BER an objective quantity for
assessing DAB coverage |
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The net Bit Error Rate (BER) in the decoded signal can be used to assess the coverage of a DAB service but it requires the transmission of a special test signal which uses up a complete sound channel in the DAB multiplex. The author proposes the use of a so-called "pseudo channel BER" as an objective quantity for assessing the coverage of a DAB service. The method does not require the use of a specially transmitted test signal; it is applied to ordinary DAB programme material. |
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| Acoustics | |
| Progress in concert hall design developing
an awareness of spatial sound and learning how to control it |
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The propagation of sound is a function of both time and space: our hearing and perception of sound are sensitive to spatial as well as temporal attributes. This article traces the development of spacial acoustics in the design of halls during the late 20th century, in relation to the advancement of acoustical knowledge and related technologies. An outline is given of current directions in modelling and measurement systems that may lead to a greater understanding of which spatial sound fields are preferred for different events, and how the geometrical form can influence them. |
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| Digital Audio Quality Evaluation | |
| Subjective assessment of audio quality the
means and methods in the EBU |
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This article presents a number of useful means and methods for the subjective quality assessment of audio programme material in radio and television, developed and verified by EBU Project Group, P/LIST. The methods defined in several new EBU Recommendations and Technical Documents are suitable for both operational and training purposes in broadcasting organizations. |
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| * | Head of Publications and Internet Co-ordinator: | P. Jaquin |
| * | Editeur Responsable: | P.A. Laven |
| * | Editor: | M.R. Meyer |
| * | French Editor: | E. Piraux |
| European Broadcasting Union Case postale 45 Ancienne Route 17A CH-1218 Grand-Saconnex Geneva Switzerland techreview@ebu.ch |
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