No. 299 (July 2004)

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STOP PRESS (September 2004)

The article in this edition by John Ive on Image formats for HDTV (see below) has sparked a lot of interest. We have decided to bring forward from our next edition (October 2004) another article on HDTV scanning formats which presents an alternative viewpoint. Written by the EBU's David Wood, you will find it HERE (PDF file, 214 KB).

STOP PRESS (August 2004)

Now available as an "image" PDF (1159 KB) : Principles of modulation and channel coding for digital broadcasting for mobile receivers, by M. Alard and R. Lassalle (published in issue 224, August 1987).

Une traduction des meilleurs articles de l'année est proposée une fois par an.
Pour les visualiser, cliquez ici.

 
Editorial
  Computer-based production systems for TV
Philip Laven
   
HDTV
 

Image formats for HDTV
John Ive (551 KB)

 

For several years, European broadcasters have been making programmes in high definition – often based upon co-production deals with the USA and Japan – using the 1920 x 1080 Common Image Format. However, European consumers are currently restricted to down-converted standard-definition versions of the original full-resolution HD content. This situation will soon change as more broadcasters offer HD services – in addition to the pioneering and ground-breaking start made by Euro1080.

This article offers an overview of HD scanning formats and advises European broadcasters not to go against the tide by introducing new production formats for HDTV.

   
Broadcasting to Handhelds
 

What's the difference between DVB-H and DAB — in the mobile environment
Andreas Sieber and Chris Weck (379 KB)

  The European digital terrestrial broadcast systems – DVB and DAB – have recently come into focus as a means of delivering streaming content to mobile, portable and even handheld receivers. But what are the pros and cons of using these broadcast systems in conjunction with cellular networks? This article explains it all.
   
Digital Audio Broadcasting (DAB)
 

The re-launch of DAB in Switzerland
Thomas Saner (467 KB) – final version now available

  Digital Audio Broadcasting (DAB) has been something of a sleeping beauty in Switzerland since 2000. However, the public service broadcaster – SRG SSR idée suisse – has just given the go-ahead for the reorganization and expansion of DAB. This decision was prompted by the realisation that FM can no longer offer additional capacity without a loss of quality. Furthermore, the DAB bandwagon is beginning to roll again, starting out in the UK, while – here in Switzerland – non-ionising radiation requirements now demand new distribution technologies that produce less electromagnetic radiation. The availability of DAB receivers was an additional factor supporting SRG SSR's move.
 
 

Indoor reception of DAB — consequences for planning and implementation
Simon Mason (497 KB)

  NTL has conducted extensive DAB field-strength measurements in Band III inside large buildings in central London. The conclusions from this campaign are that a field strength of 71 dbmV/m is required in order to provide good indoor DAB reception to handheld devices.
   
DVB-T
 

Modelling impulsive interference in DVB-T — statistical analysis, test waveforms and receiver performance
José Lago-Fernández and John Salter (546 KB)

 

Until now, gated Gaussian noise has been widely recognized as the only calibrated tool available to measure impulsive interference performance in a DVB-T system. Recently, a working group within the Digital Television Group, led by BBC R&D, carried out a series of theoretical and practical studies to devise a representative set of test waveforms for impulsive interference.

The result of this work was the proposal of a group of new “gated-squared” Gaussian noise tests, together with some recommendations for test methods and measurement equipment. Arising from this work came the realization that the impulsive noise performance of a DVB-T receiver equipped with no specific counter-measures can be determined from the effective duration of the burst of noise.

   
Audio Loudness
 

Loudness control — at the television playout stage
John Emmett (300 KB)

 


This article on Loudness control – while representing the views of the author – is based on a discussion paper submitted to the 5th Meeting of EBU Project Group P/AGA (Advisory Group on Audio), held at BBC R&D in December 2003.