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Rencontre RNE
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The Rencontre RNE, which has attracted nearly 100 delegates from
all over the Euopean broadcasting area, ended on 9 May with a
round-up on "Thematic Radio Stations"
and "Local and Regional Radio Stations". The
subjects presented were:  | |
All News by Bernd Peter Arnold, head of Radio 4 Talk Radio by Tibor Soltenszky, MR, deputy head of Literature
and Culture Department - Young Audiences by Beatriz Pécker,
RNE; Marc Garcia, Radio France; Director Le Mouv'
- Trends by Heinz Dieter Sommer, ARD/HR,
director of Radio and deputy director of HR
- City Radio: Michel Meyer, Radio
France
- Malte Lind, SR Vastmanland
- Strategic Projects by Fredy Franzoni,
RSI
- Radio 1 by Juan de la Peña,
RNE.
Christain Maillard, director of
international affairs at Radio France, moderated a part of
the "Cultural Dimension of Radio" debate on art and music in
radio. Speakers included Nicholas Kenyon, controller of BBC Proms,
live events and TV classical music; Oliver Kaeppelin of Radio
France and deputy manager of France Culture; and Fernando Argenta,
director of Clasicos Populares of RNE. The closing session, chaired by Eduardo
Hernaiz, was an opportunity to hear the North-American
perspective on the Rencontre RNE which was given by Steve Robinson,
vice-president of WFMT with the participation of Sylvain Lafrance,
vice president of French radio and new media, Radio Canada.  | | Gregory Ferrell Lowe | Debates of Thursday 8 MayThe previous afternoon, the discussions on
"Generalist Radio Tomorrow: Formats and
Contents" were led by Alfonso Sanchez, director of
programmes at RNE, with presentations from François Desnoyers,
deputy general manager of Radio France; Gregory Ferre Lowe,
director of programme development at YLE; Dragos Seleanu, president
and director-general of ROR; and Sergio Valzania, director of
Radio2 and Radio3 at RAI. François Desnoyers stated that at present
the French market was relatively well balanced even though
generalist radio stations had lost some ground to music stations.
Admittedly, generalist radio stations had not had much faith in FM
initially but nevertheless they were doing well: in 2002,
Mediamètrie's figures revealed that 61% of listeners turned to
music and 56% to news/information. However, generalist radio
stations needed to find a new pitch and attract a younger
audience. In France, he continued, both private and
public generalist radio stations need to change approach, they must
be proactive and not let their audiences be eroded by music
stations. Radio France managed this by having specific brands, for
example France Inter and France Bleue. For Gregory Ferrell Lowe, director of
programme development at YLE, today's world is visual, competitive,
individualistic: young people make their own programmes. Confronted
with this, is it necessary to be creative? Should we continue with
what exists today? Is that enough? He believed that generalist
radio stations must be revitalized for a new audience and provide
content that covers its public service remit in the widest possible
sense. Dragos Seleanu explained that in Romania
radio represented a source of information within a specific
social and political context. The director-general of ROR went on
to say that the role of public service radio was to give listeners
a sense and feeling of national identity in a global world, and to
uphold common values. Sergio Valzania, director of Radio2 &
Radio3 at RAI, asked whether public radio would be able to fulfil
the expectations of the audience. Though information was important,
radio was not all about providing information: new, targeted
formats must be found. Aiming for excellence and being better than
the competitors were ways for generalist radio stations overcome
their problems. It was no longer possible for the monopolies of the
past to save public broadcasters.  | | A panel made up exclusively of women for the debate: "What are the opportunities open to generalist radio stations?" |
Thursday's debates ended on the subject "What are
the opportunities open to generalist radio stations?"
Participants included Daniela Recine, deputy director of programmes
at RAI 3; Irina Gerasimova, president of Mayak; Isabelle Binggeli,
director of programmes, SSR; and Neva Zajc, RTVSLO, director of the
regional centre of Koper-Capodistra. With a 40% audience share, Isabelle
Binggeli, director of programmes at the SSR, was optimistic about
the fate of generalist radio stations. However, she did ask whether
"generalist radio stations were not overly concerned with facts and
not enough with general tendencies". In her opinion, listeners want
radio to offer more analysis and to be bolder. Radio has to meet
these demands. Irina Gerasimova, president of Mayek,
reminded delegates that Russian radio had existed for 40 years: it
had gone through an era of Soviet monopoly to a rude awakening in
an age of competition from 2,000 Russian radio stations. In order
to retain its leading audience share it was necessary to improve
Mayak's radio content in order to keep its current older listeners
while at the same time attracting a younger generation by focusing
on live radio and interactivity. This would allow the audience to
know the content of the programme but at the same time there would
be elements of surprise. Neva Zajc, director of the regional centre
of Koper-Capidostra, which broadcasts in Italian and Slovenian,
said that the radio station was doing well and that she believed
that there was room for all types of content. However, it was
difficult to increase the number of theme radio stations in
Slovenia because the population was too small for further
fragmentation. In the future multimedia was likely to saturate
citizens with information in the small amount of time they spent
listening to the radio. The notion of "global" was important
but the listener must be able to position himself in this new
world. Can radio help?
© EBU 2005 Latest update 08.11.2005
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