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Radio Assembly
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The Radio Assembly ended on Friday 4 April
with the election of a new Radio Committee for a two-year
term:
| Chairman | Nicholas Kenyon | BBC, United Kingdom | | Vice-Chairs | Ann Sandelin
Bernd-Peter Arnold
Vlado Senica | YLE, Finland
ARD/HR, Germany
RTVSLO, Slovenia | | Members | François Desnoyers
Edouardo Hernaiz
Stanislaw Jedrzejewski
Serguei Kurohkhtin
Leif Lonsmann
Daniela Recine | Radio France
RNE, Spain
PR, Poland
RDO, Russia
DR, Denmark
RAI, Italy |
"When I hear the word 'Revolver', I
get out my culture." This phrase from one of the speakers
summarized the importance of culture on radio, even during these
difficult times, which is also the message that the Radio Assembly
wanted to convey at the end of its meeting. Thursday 3 April, Anne Sandelin (YLE)
chaired the discussion "Changing cultural content –
the challenges" with input from Graham Dixon (BBC),
Svetlana Dimitrova (BNR), Solveig Mattsson (YLE) and Jan Westerhof
(NPB).
 | | Solveig Mattsson, YLE; Jan Westerhof, NPB; Ann Sandelin, YLE; Graham Dixon, BBC; Svetlana Dimitrova, BNR |
In the words of Graham Dixon, head of
development and international relations for BBC Radio, there is no
magic solution for everybody. For BBC Radio 3, culture is diverse and
ever-changing: musical styles, lifestyles, new audiences who want
to actively participate (for example, on the web). Unfortunately, a
recent survey has indicated that 65% of young people in Great
Britain could not even come up with the name of a single composer.
There is still a lot of work that has to be done to make use of new
communications tools and also, according to Graham Dixon, for
minorities which could represent the market of the future provided
we respect the value system of their cultures. Having said this, a cultural radio still
has to answer some important questions: are we warm and friendly?
Do we have a variety of different people on our team? What is our
profile? These questions still remain unanswered at a time when
ideals and historical values must be maintained but while breathing
new life into cultural channels. Svetlana Dimitrova, BNR, described the
cultural channel Radio Christo Botev, which is one of the top six
Bulgarian stations. Cultural awards and advertising campaigns have
been used to increase public awareness of the channel. Both
national and international culture is broadcast with lots of music,
listener participation, and also radio plays. The "education" slot
includes practical sessions, courses and programmes about European
integration. There is a variety of music: classical, light music,
both Bulgarian and international. "Culture" is regarded as a way of
life and a means of communication for bridging the gap between
traditional and contemporary lifestyles and between different
peoples. Solveig Mattsson, YLE, presented a
pan-European sitcom project, supported by the EBU Radio Development
Fund. Five young writers from Bulgaria, Denmark, Slovakia, Germany
and Italy have been selected to co-write a rado sitcom called
"Lemmi's Band" (the lives of an ageing rock star and his friends
with all their faults and quirks).
 | | Lucas Hurnik, CR; Angiolino Lonardi, RAI; Pascal Crittin, Espace 2 SSR; Vlado Senica, RTVSLO; François Desnoyers, Radio France |
Six episodes have been written and will be
presented during the Radio Drama Workshop in June 2003. Jan Westerhof, Radio 1 and 747 AM (NPB),
asked whether culture was actually necessary on radio, and why? Can
the Netherlands, which has five radio stations, allow itself to
have one devoted only to culture or should every public radio
station in fact devote attention to culture? There are hardly any magazine-like
programmes about art and culture left on Dutch radio now. But NPB
recently launched two programmes that fit in well with contemporary
society; the cultural-journalistic magazine Kunststof (Radio 1) and
the satirical serial Radio Bergeijk (747 AM). Both have acquired
relatively good ratings. According to Westerhof culture has to
remain part of public radio. Airing a separate station for ‘higher’
culture however seems a dated strategy. Culture should be
incorporated by all stations and will have to depend primarily on a
journalistic approach. The last day of the Radio Assembly,
Friday 4 April, was chaired by Vlado Senica (RTVSLO) and comprised
two debates: | • | Reflecting the culture of new audiences | | | | François
Desnoyers, Radio France, felt that cultural radio stations were
serious stations, even institutions, therefore should they go
against the grain and become fashion victims? This question is
especially pertinent for Radio France which perhaps doesn't really
reflect actual societal trends, life as we know it.
Angiolino Lonardi, RAI, felt that radio has
only a marginal social function. It is not truly innovative and
younger audience are shrinking: radio is for the oldies. If the
role of radio is no longer clear, it is nevertheless important to
draw attention to its diversity and keep working on its creative
impetus. Pascal Crittin, Espace 2 SSR, asked whether
there was a contradiction in talking about culture and new
audiences? Is it possible to encompass different cultures yet avoid
having a patchwork radio? Can cultural content satisfy different
types of audience? He suggested three things: take a gamble on the curiosity of the
public (by enlarging the offer); integrate culture in daily life
(all different types of culture); and avoid breaking up and
marginalizing subjects (thereby producing a ghetto effect) by
having an educational approach. Lukas Hurnik, CR, pointed out that in his
country, cultural radio dates back to the 1960s and that in 1989,
after the revolution, it had an audience share of only 1 per cent.
Vltava, the cultural radio, was totally revamped: new presenters,
jingles and an appealing advertising campaign "Vltava will do you
good...". The results are encouraging, and the audience is
increasing. | | • | Communicating culture on all platforms | | | | Bernd-Peter
Arnod, ARD/HR, chaired the last debate.
Speakers included Walter Couvreur (VRT), Leif Lønsmann (DR),
Josep M. Marti (SER), Marie Wennersten and Karolina Gerdin
(SR). |
 | | From top to bottom, left to right: Walter Couvreur (VRT); Leif Lønsmann (DR); Josep M. Marti (SER); Marie Wennersten (SR), and the scrutineers during the counting of the votes |
Earlier in the morning, the Assembly's last
debate was on: Walter Couvreur (VRT) presented Klara and
its new brand image, which was the subject of an article in
Diffusion (click here). According to Leif Lønsman (DR), no other
media does as much for culture as radio, even if at times it is
threatened by new media. Radio is always present, reaching out to
the listener with radio plays, readings, music and documentaries.
Leif Lønsmann highlighted the fact that in Denmark three out
of four FM services are dedicated to culture, and public service
radio simultaneously offers 10 services on all its available
platforms: FM, DAB, cable, Internet, satellite and mobile
phones. Josep M. Marti (SER) felt that in the
current context of technological developments and globalization,
the way that culture is presented by radio has to change. The
concept has to be broadened and must also benefit from the
opportunities offered by new media. In a complex world swamped by
news and information, ways must be found of simplifying the way
information is presented. Objectives must be redefined; programmes
redesigned; new resources, broadcasting and listener facilities
have to be found. Marie Wennersten and Karolina Gerdin (SR)
asked the following question: how can "interactivity" be adapted to
the radio environment? In answer to this, they created an Internet
site: a fictitious, make-believe city in which it is possible to
walk through and find all the programmes from everywhere in the
world. Everything is freely available on this site and it is
possible to download programmes or simply listen to radio stations.
Well worth the visit: www.sr.se/src
© EBU 2005 Latest update 08.11.2005
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