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The advent of High Dynamic Range (HDR) and Wide Colour Gamut (WCG) video naturally leads to consideration of what constitutes a good monitor for use with such signals.
There is renewed momentum across Europe behind the transition to digital radio, providing more possibilities for innovation in the service offering. Alongside this, hybrid enables innovation in the user experience of radio by using the ability to enhance broadcast with broadband-delivered services.
This report provides the conclusions of work performed in the EBU IMF-TV group with regard to the relevance of the Interoperable Master Format for broadcasters. It includes a basic introduction to IMF.
Tech 3320 defines the technical characteristics for video broadcast monitors used in a professional TV production environment for evaluation and control of the images being produced.
Broadcasters are often asked why they do not make greater use of Single Frequency Networks (SFNs). This guide tells you why not all the SFN advantages can be maximized at the same time.
The September 2017 issue of EBU tech-i magazine includes Swedish Radio's award-winning NXG Radio House project, NRK's use of drones in live production and SWR's Markus Ostertag's view on IP production.
This article analyses distribution and consumption costs of analogue FM radio, digital radio (such as DAB) and internet radio streamed via unicast.
This gives an overview of the associated regulation and applications of the different frequency bands allocated to broadcasting. Please note this is Version 2.0, dated July 2017.
The June 2017 issue of EBU tech-i magazine includes the launch of DVB-T2 in Germany, RTBF's new production system and advice on data privacy for media organizations.
This document is Part 3 of the EBU-TT series. It specifies how to use EBU-TT for the production and contribution of live subtitles. This is version 1.0.